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			<image:caption>Alkmini Gousiari, 'Cheimadia' (2021) Photographed by Clem Routledge.</image:caption>
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			<image:caption>Alkmini Gousiari, 'Cheimadia' (2021) Photographed by Clem Routledge.</image:caption>
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			<image:caption>Alkmini Gousiari, 'Cheimadia' (2021) Photographed by Clem Routledge.</image:caption>
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			<image:caption>Alkmini Gousiari, 'Cheimadia' (2021) Photographed by Clem Routledge.</image:caption>
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			<image:caption>Alkmini Gousiari, 'Cheimadia' (2021) Photographed by Clem Routledge.</image:caption>
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			<image:caption>Alkmini Gousiari, 'Cheimadia' (2021) Photographed by Clem Routledge.</image:caption>
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			<image:caption>Max Lunn, 'Departures' (2020) Photographed by Clem Routledge.</image:caption>
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			<image:caption>Max Lunn, 'Departures' (2020) Photographed by Clem Routledge.</image:caption>
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			<image:caption>Max Lunn, 'Departures' (2020) Photographed by Clem Routledge.</image:caption>
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			<image:caption>Max Lunn, 'Departures' (2020) Photographed by Clem Routledge.</image:caption>
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			<image:caption>Helen Gilbart, 'Into the Holloway' (2020) Photographed by Clem Routledge</image:caption>
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			<image:caption>Helen Gilbart, 'Into the Holloway' (2020) Photographed by Clem Routledge</image:caption>
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			<image:caption>Kate Frances Lingard, tender spots in hard code…   fraught with potential, fragile with indecision, Arebyte Gallery, 2021</image:caption>
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			<image:caption>Kate Frances Lingard, tender spots in hard code…   fraught with potential, fragile with indecision, Arebyte Gallery, 2021</image:caption>
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			<image:caption>Kate Frances Lingard, tender spots in hard code…   fraught with potential, fragile with indecision, Arebyte Gallery, 2021</image:caption>
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			<image:caption>Kate Frances Lingard, tender spots in hard code…   fraught with potential, fragile with indecision, Arebyte Gallery, 2021</image:caption>
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